Monir’s drawings in felt marker and pen layer coloured lines to trace structures of nomadic tents, minarets and models of architectural sculptures. Employing techniques from her Iranian heritage that date back to the sixteenth century, Monir chooses to return to the origins of abstraction and theology, and moves beyond the craft to present a modern interpretation of both the medium and the content.
Monir strives for perfection in her intricate drawings and kaleidoscopic mirror mosaics, which is highlighted in her impressive career that spans over 60 years. From early beginnings in Iran, and a later period in New York where she was a contemporary of Jackson Pollock, Andy Warhol and Frank Stella, Monir began to tie the two dichotomies of her influences - arriving at modern abstraction in form through the use of Islamic geometry found in Iranian architecture. The resulting work has been an unconventional marriage between the deeply traditional and the genuinely avant-garde, placing her in a league of her own.
Sunrise and Sunset are part of a series of works on paper created by the artist in 2015.